Antonia Kuo, Erin Jane Nelson, Mary Stephenson, and Alix Vernet
Kuo’s photochemical works collapse photography, drawing, and painting through layered processes that record light, time, and material transformation, while her sculptures serve as partial records of obscured forms.Nelson draws from a personal archive of found and original photographs to explore climate anxiety, spirituality, and regional histories through feminist speculative world-building; the works at the fair will be ceramic, including cameras she constructs herself. Stephenson’s paintings construct psychological and spatial environments drawn from memory, where architectural motifs and shifting perspectives activate a sense of interiority and lived experience. Vernet approaches sculpture through fragmentation, repetition, and referential layering, using the urban landscape as source material to capture the city’s instability and reflect on time, encounter, and the accumulation of history.