Paul Heyer
Pulling symbols from the everyday, art history and his own visual lexicon, Heyer’s work questions the nature of the known. The artist adopts recognizable markers not as carriers of precise meaning, but rather as opportunities to diffuse definition. An exuberant skeleton among fluttering chromosomes, lily pads in thinned day-glow, skyscapes wavering and luminous—these are humble ‘floating signifiers’ which, once emptied, hold infinite potential for all readings without judgment or constraint.
Heyer’s playful yet precise use of materials offers this openness physically as much as symbolically. Evoking the energy of ‘80s painting, these works draw upon the allure of emotional aestheticism, while remaining open to the viewers’ creative communion. Wistful cloudscapes etch themselves out in childlike innocence, as bright washes of color animate simple polyester—shifting surfaces that flirt with the otherworldly through accessible means. Vaporous, these works seem to float, shroud and hover at the edge of the material world. Whether window, portal or reflection, these permeable membranes manifest not as boundaries but rather invitations into the unknown.
Through these receptive gestures Heyer offers the viewer the ease of acceptance, the willingness to be wraith-like—to step outside the self. By invoking the viewer’s imagination, the artist teases out the politics of convention through a leap of faith. Part the pleasure of painting, part sleight of hand—Heyer’s works offer transcendence without the pretension of being ‘saved’. Reality so ephemeral, one hears gentle bells.
Paul Heyer (b.1982) was born in Chicago, IL and currently lives and works in Chicago, IL. In 2009 he received a MFA in painting from Columbia University. Recent exhibitions include solo shows in Night Gallery, Los Angeles (2013 and 2016), and Chapter NY (2014). He has also been included in exhibitions at Andrea Rosen Gallery (2016), Shane Campbell Gallery, Chicago (2016), Rodeo Gallery London (2015), Young Art, Los Angeles (2013), 356 Mission Angeles (2015) and Rachel Uffner Gallery, NY (2012). Press includes NY Times, Artforum and Flash Art.